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| Farewell
Whiskey Gulch |
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| Whiskey
Gulch: run-down, unproductive, a trouble-prone dead end --- the perfect
candidate for redevelopment and better utilization. But there was
something beautiful here too. These two films and a photo collage
reveal the culture of community and diversity that evolved in the
circuit of nonprofit and small business storefronts. When was the
last time you bought Louisiana-style BBQ sauce in an Asian hardware
store? Found substance abuse recovery, technology access, and small
business development training next door to each other? Or were greeted
in Spanish at 5:00 A.M. by a jazz-loving Laotian donut maker? University
Circle offices and a hotel will help make the City sustainable, and
Whiskey Gulch is gone. But what’s left of its spirit exists
within this program. |
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| Over
the Ramp (2000) |
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This
is a bittersweet reflection on urban change. As Whiskey Gulch counts
down to demolition, the film moves through street and storefront
gathering testimonies, some definite and some ambivalent. Former
Mayor Sharifa Wilson notes the tremendous economic and essential
benefits that are to come. Eddie from West Sounds talks about supplying
CDs to incarcerated young men who grew up here and says finding
a new place for himself will be like pie in the sky. A last glance
at a community in the process of vanishing. Features fluid, evocative
editing by noted editor/filmmaker Maureen Gosling. Photographed
and produced by Michael Levin for TheatreWorks for Education.
Producer:
Michael Levin
Running Time: 19 Minutes
Source / Filmmaker
Bios |
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| Her
Promised Home (2001) |
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This
personal documentary follows Won Choi, owner/operator of House of
Wigs in Whiskey Gulch, through the eyes of her niece, Elizabeth
Choe. The film shows the close bonds that have developed over a
quarter century between Won Choi and her customers, primarily African
American women. House of Wigs becomes more than a store as the deeply
religious Won prays with her customers and offers counsel and solace
for the problems they bring her. In the age of the globalized franchise,
“Her Promised Home” reminds us, in Won’s words,
that “Its not just business and money, its people, really.”
Produced by Elizabeth Choe for Pacifica Community Television.
Note: we are
fortunate to have a special Whiskey Gulch photo-collage poster as
an addition to this program. Local photographer Mickey Shanabarger
has taken two types of imagery -- architectural large negative shots
of storefronts and photojournalistic portraits of small business
owners and nonprofit staff and clients – to create a 3 ft.
by 4 ft. Whiskey Gulch poster that will be on display throughout
the Festival.
Producer:
Elizabeth Choe
Running Time: 55 Minutes
Source / Filmmaker
Bios
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| Straight
Outta EPA |
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| Oh,
spirit of East Palo Alto, where art thou? Doest thou live in City
Hall? In the wrecking yards? In IKEA? Be gone, doubt! We know for
sure now where the spirit of East Palo Alto lives…. |
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| EPAttack
(2001) |
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"Horror
comes to the hood" in this all-local production. But "Freddy
vs. Jason" east of Bayshore this is not. The rappers, artists,
actors and musicians making up the creative team were perhaps a
little too carried away to make a proper exploitation film. This
self-described "horror comedy" hurdles down a plotline
of supernatural revenge, but takes radical tangents into other dimensions
of East Palo Alto. Not to be missed! See the most East Palo Alto
film ever made at the EPA Premiere! Written and directed
by Teodros Hailye.
Producer:
Teodros Hailye
Running Time: 55 Minutes
Source / Filmmaker
Bios |
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| Reclaiming
Our Own |
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| In
1992 East Palo Alto faced a crisis compounded of drug sales, drug
use, violence and HIV infection. In response to this crisis a group
of residents including David Lewis and Vicki Smothers came together
with Stanford student Priya Haji to create Free at Last, a community-based
response to addiction, which was at the core of \many of the other
problems. Free at Last is now a nationally recognized model for community-based
recovery. The work of the organization has turned around the lives
of many individuals and families so they can now begin to benefit
from the new opportunities coming to East Palo Alto. |
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| Circle
of Recovery (1991)
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This
Bill Moyer’s classic is a portrait of seven African-American
men in East Palo Alto who meet weekly to help each other in the
process of recovery from addiction. They talk frankly as they address
the other issues that become caught in the web of substance abuse:
family, anger, racism, love, sex, self-worth and others "Recovery
doesn’t happen in isolation," says one member. "No
one does it alone." Features David Lewis, who went through
his recovery to go on and help others as co-founder and board chair
of Free at Last recovery. Produced by Tom Casiato for Bill Moyers’
Public Affairs Television, Inc.
Producer:
Tom Casciato
Running Time: 57 Minutes
Source / Filmmaker
Bios |
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| Priya
Karim Haji (2001) |
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Priya
Haji, Free at Last co-founder and first Executive Director, was
a young Stanford student when she met ex-convict David Lewis while
doing AIDS outreach in East Palo Alto at the height of the AIDS
epidemic. From this unlikely start, David and Priya, along with
Vicki Smothers and other residents, went on to found Free at Last,
a recovery center with the philosophy “in the community, for
the community, by the community.” This short film accompanied
a tribute to Priya. In the film her colleagues David and Vicki tell
the story of how Priya led a decade-long effort across many barriers
to take an agency with “two employees and a pay phone”
to national recognition as a model of community-based recovery.
Produced by Michael Levin for Free at Last’s 2001 Courage
to Change Award Dinner.
Producer:
Michael Levin
Running Time: 9 Minutes
Source / Filmmaker
Bios |
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NOW
with Bill Moyers: David Lewis (2003)
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Ten
years after “Circle of Recovery,” Bill Moyers follows
up with David Lewis, who now speaks and trains nationally on overcoming
addiction and the inevitable cycles of incarceration that follow.
We see David’s success with Free at Last and his own personal
success in reconciling with and supporting his son. With the number
of Americans in prison approaching two million – now the highest
number for any country in the world – and an enormous share
due to substance abuse, David Lewis continues to speak at prisons
around the country to show that there is a way out of drugs and
the prison system. Produced by Kathy Hughes for NOW with Bill Moyers.
This is a 20-minute segment from a 60-minute edition of NOW.
Producer:
Kathy Hughes
Running Time: 20 Minutes
Source / Filmmaker
Bios |
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The
Struggle for a
Quality Community |
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These
two films provide snapshots of East Palo Alto in 1990 and 1996.
In 1990 economic development had not yet gotten off the ground,
but by 1996 it was beginning to start to move forward, even though
benefits were still years away. Now the effort has taken giant steps
forward with the Ravenswood 101 shopping center and especially the
recent opening of IKEA.
Community activist
Bob Hoover has spoken of East Palo Alto creating what he calls a
“quality community,” “a community that works for
everyone,” that still take many more years of effort and of
patience. In different ways this struggle is grappled with everyday,
whether it be as large as opening an IKEA, a the new clinic or a
charter high school, or as small one neighbor making the effort
to talk to another about a mutual concern. The two films show different
stages of this struggle and confirm that really significant change
has been made in East Palo Alto but that much more stills needs
to come about. In the words spoken by the late community leader
Ed Becks at the end of “Dreams of a City:"
“Struggle,
that’s what life is about. And when you stop having struggle,
you stop having life. The pursuit of happiness doesn’t give
you anything but some track shoes and a course to run on. So that’s
what we’re doing. That’s what we will be doing. That’s
what what I’m doing.”
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| The
Other Side of the Freeway (1990) |
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New Years
Eve, 1989. In retaliation for her vocal opposition to drug sales
on her block, a gunman in a passing car fired into the home of Mrs.
CW Roddy, leaving her wounded but not seriously injured. “That
was the worst mistake they could have made,” said the Police
Chief from that time. “Now she’s going to be relentless;
she’ll never give up.” This special report from KQED
looks at how East Palo Alto residents, inspired by Mrs. Roddy’s
courage, stand up to drugs and violence. Their response draws national
attention, including a rally led by activist Dick Gregory. With
economic development still a decade away and a 40% budget cut that
depletes the Police Dept, Gregory ends the film with an optimistic,
even prophetic statement. “Organize this community; the world
is waiting for you. And then they’ll beat a path here.”
Mrs. Roddy, still a community activist, will answer questions after
the screening. Produced by Scott Pearson for KQED Community Affairs.
Producer:
Scott Pearson
Running Time: 30 Minutes
Source / Filmmaker
Bios |
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| Dreams
of a City: Creating East Palo Alto (1996) |
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What
takes three years, 146 videotapes and a grant from then Stanford
Provost Condoleezza Rice to complete? “Dreams of a City”
was the outcome of a massive and probably unique type of collaboration
between Stanford University, East Palo Alto residents and top Bay
Area film professionals. Drawing on everything from 185O’s
railroad maps to dozens of oral histories to a 70s rendition of
“Oh, Freedom” by the Nairobi Messengers, “Dreams”
remains the only work in any medium to tell the full story of East
Palo Alto. Stretching from the now lost port town of Ravenswood
to the demolition of Ravenswood High School almost 150 years later,
even seven years after its release, “Dreams of a City”
is fundamental to understanding present-day East Palo Alto. This
current version has been updated to correct an earlier flaw with
the inclusion of incorporation mastermind Omowale Satterwhite. Produced
and directed by Michael Levin for Stanford University Libraries
and the Committee on Black Performing Arts, as a part of “Dreams
of a City: The East Palo Alto Project.”
Producer:
Michael Levin
Running Time: 55 Minutes
Source / Filmmaker
Bios |
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